Smuggler Carnaghan (Spencer Tracy) is let out of prison by government agent Kellar (John Hodiak) on condition that he help John Royer (James Stewart) sneak the entire vitally-needed rubber crop out of Japanese-held Malaya during World War II. They slip into the country and contact Carnaghan's associate, the Dutchman (Sydney Greenstreet), who conveniently recruits a gang of cutthroats for them from customers in his saloon, including Romano (Gilbert Roland). 　　Using money and intimidation, they succeed in purchasing all the available rubber, but eventually the Japanese commander, Colonel Tomura (Richard Loo), gets wind of the scheme. On the last trip to transport the remainder of the cargo to a waiting freighter, Carnaghan smells an ambush, but Royer disregards his warning and is killed by the waiting soldiers. The cynical Carnaghan then turns patriotic and completes the mission.

Smuggler Carnaghan (Spencer Tracy) is let out of prison by government agent Kellar (John Hodiak) on condition that he help John Royer (James Stewart) sneak the entire vitally-needed rubber crop out of Japanese-held Malaya during World War II. They slip into the country and contact Carnaghan's associate, the Dutchman (Sydney Greenstreet), who conveniently recruits a gang of cutthroats for them from customers in his saloon, including Romano (Gilbert Roland). 　　Using money and intimidation, they succeed in purchasing all the available rubber, but eventually the Japanese commander, Colonel Tomura (Richard Loo), gets wind of the scheme. On the last trip to transport the remainder of the cargo to a waiting freighter, Carnaghan smells an ambush, but Royer disregards his warning and is killed by the waiting soldiers. The cynical Carnaghan then turns patriotic and completes the mission.

同是写南洋华人命运和异乡情调，七年后的本片，剧作构思和制作质素都大有进步。以前的专横严父至此转变为慈父（吴楚帆），战乱中散失的女儿（紫罗莲）由大陆来马来亚寻父不遇，却遇上无私奉献的穷教师（张活游）相助，找到父亲同时又找到归宿，决意随丈夫（张瑛）留下，为当地华人教育而致力。殖民地华人可以立足当地、传承祖国文化，和内地华人和谐相处，结局是乐观积极的。可以看出，紫罗莲对南洋华侨的生活现实感受真切，初次监制/导演准备充足，在李晨风的编导协助下，戏剧处理头头是道；爱情、伦情和同胞之爱三线交错得有条不紊。星马的外景和搭景拍摄都有真实感，成就出一部有情有义的佳作。亦可见粤片渡过了战后难关，步入立足香港的自力更生时期。

同是写南洋华人命运和异乡情调，七年后的本片，剧作构思和制作质素都大有进步。以前的专横严父至此转变为慈父（吴楚帆），战乱中散失的女儿（紫罗莲）由大陆来马来亚寻父不遇，却遇上无私奉献的穷教师（张活游）相助，找到父亲同时又找到归宿，决意随丈夫（张瑛）留下，为当地华人教育而致力。殖民地华人可以立足当地、传承祖国文化，和内地华人和谐相处，结局是乐观积极的。可以看出，紫罗莲对南洋华侨的生活现实感受真切，初次监制/导演准备充足，在李晨风的编导协助下，戏剧处理头头是道；爱情、伦情和同胞之爱三线交错得有条不紊。星马的外景和搭景拍摄都有真实感，成就出一部有情有义的佳作。亦可见粤片渡过了战后难关，步入立足香港的自力更生时期。

第二次世界大战期间，为了马来人的利益，一小队人必须保卫一个机场三天，以抵御日本人的攻击。

第二次世界大战期间，为了马来人的利益，一小队人必须保卫一个机场三天，以抵御日本人的攻击。

In 1919 workers arrive by train in the middle of the Taiga in order to construct a town. They fell trees and unload bricks from the train for that purpose. The newly arrived hero Vasilij is made chief of the depot, meets hostility and has to put down corruption.

In 1919 workers arrive by train in the middle of the Taiga in order to construct a town. They fell trees and unload bricks from the train for that purpose. The newly arrived hero Vasilij is made chief of the depot, meets hostility and has to put down corruption.

本剧讲述刘少奇闯县城、省城、皇城和国门“四道乡关”，寻“实事求是、每求真是”八字真经，为天下百姓谋温饱，矢志找寻救国真理和建设新中国道路的故事。

本剧故事从少年刘少奇入学开蒙讲起，将着重呈现其在革命战争年代身经百战、出生入死的卓著战功。剧中还将首次展现大量鲜为人知的珍贵史料和生活细节，让…